Alma-Tadema, Sir Lawrence
b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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Alma-Tadema, Sir Lawrence Copy of wall painting from the tomb of Nebamun in the British Museum,London (mk23) oil painting


Copy of wall painting from the tomb of Nebamun in the British Museum,London (mk23)
1860s Watercolour,19.7 x 28.6 cm(7 3/4 x 11 1/4in) University of Birmingham
Painting ID::  22921
Alma-Tadema, Sir Lawrence
Copy of wall painting from the tomb of Nebamun in the British Museum,London (mk23)
1860s Watercolour,19.7 x 28.6 cm(7 3/4 x 11 1/4in) University of Birmingham
   
   
     

Alma-Tadema, Sir Lawrence Edwin Long,An Egyptian Feast (mk23) oil painting


Edwin Long,An Egyptian Feast (mk23)
1877 Oil on canvas,189.2 x 381 cm(74 1/2 x 150 in) Cartwright Hall Art Gallery,Bradford
Painting ID::  22922
Alma-Tadema, Sir Lawrence
Edwin Long,An Egyptian Feast (mk23)
1877 Oil on canvas,189.2 x 381 cm(74 1/2 x 150 in) Cartwright Hall Art Gallery,Bradford
   
   
     

Alma-Tadema, Sir Lawrence This is our Corner (Portrait of Laurense and Anna Alma-Tadema) (mk23) oil painting


This is our Corner (Portrait of Laurense and Anna Alma-Tadema) (mk23)
1873 Oil on wood,56.5 x 47 cm(22 1/4 x 18 1/2 in) Van Gogh Museum,Amsterdam
Painting ID::  22923
Alma-Tadema, Sir Lawrence
This is our Corner (Portrait of Laurense and Anna Alma-Tadema) (mk23)
1873 Oil on wood,56.5 x 47 cm(22 1/4 x 18 1/2 in) Van Gogh Museum,Amsterdam
   
   
     

Alma-Tadema, Sir Lawrence Anna Alma-Tadema,The Drauwing Room at Toumshend House (mk23) oil painting


Anna Alma-Tadema,The Drauwing Room at Toumshend House (mk23)
1885 Watercolour,26 x 17.5 cm(10 1/4 x 6 7/8 in) Royal Academy of Arts,London
Painting ID::  22924
Alma-Tadema, Sir Lawrence
Anna Alma-Tadema,The Drauwing Room at Toumshend House (mk23)
1885 Watercolour,26 x 17.5 cm(10 1/4 x 6 7/8 in) Royal Academy of Arts,London
   
   
     

Alma-Tadema, Sir Lawrence Between Hope and Fear (mk23) oil painting


Between Hope and Fear (mk23)
1876 Oil on canvas,78.1 x 128.2 cm(30 3/4 x 50 1/2 in) Private collection
Painting ID::  22926
Alma-Tadema, Sir Lawrence
Between Hope and Fear (mk23)
1876 Oil on canvas,78.1 x 128.2 cm(30 3/4 x 50 1/2 in) Private collection
   
   
     

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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